The Enclave
Madonna and Child
Love Is the Drug
Wrap Your Troubles In Dreams
Of Lillies and Remains
Only Love Can Break Your Heart
Untitled
Because the Night
Thousands Are Sailing I & II
Poison Glen
Hombo, Walikale
Higher Ground
Anna
Safe From Harm
Platon
Here Come The Warm Jets
The Partisan II
Suspicious Minds
First We Take Manhattan
Wave of Mutilation
Lost Fun Zone
Tombstone Blues
Simple Twist of Fate
Sonic Youth
Beaucoups of Blues
Richard Mosse’s powerful video installation The Enclave (2013) premiered at the 2013 Venice Biennale in the Irish Pavilion. The Enclave was produced using a recently discontinued military film technology originally designed in World War II to reveal camouflaged installations hidden in the landscape. This film registers an invisible spectrum of infrared light, rendering the green landscape in vivid hues of lavender, crimson, and hot pink. On the threshold of the medium’s extinction, Mosse employed this film to document an ongoing conflict situation in eastern Democratic Republic of Congo. This humanitarian disaster—in which 5.4 million people have died since 1998—is largely overlooked by the mass media. Frequent massacres, human rights violations, and widespread sexual violence remain unaccounted for. In a kind of advocacy of seeing, The Enclave attempts to cast this forgotten tragedy in a new spectrum of light, to make this forgotten humanitarian disaster visible.
Represented by
Jack Shainman Gallery
513 West 20th Street,
New York, NY 10011
Tel. +1 212 645 1701
Fax. +1 212 645 8316
Meriwether McClorey
meriwether
@jackshainman.com